Category Archives: Life

1,000 Embers

Posted on January 9, 2025 | Leave a comment

While getting to the other side of the holiday season, my family picked up strep and pink eye. Then just as we were starting to get better, Los Angeles burst into flames. Thoroughout all of this I’ve been trying to finish up an essay for an application with a prompt related to place, power, community, and archives. In all the goings-ons I mis-read the prompt as asking for 1,000 WORDS, when in fact, it was asking for 1,000 CHARACTERS.

I felt pretty good about it (better than I do about the 1,000 character version I quickly chopped together!), so I’m going to post a blog-i-fied version of it here. It felt cathartic to write this, in lieu of non-stop refreshing a Google search for “los angeles fire” over and over again for a second day in a row.

Because I was trying to be professional in this essay, I did leave out my most gutteral, repeated thought during these last days: that LA is a stupid place, but I love it so deeply and dearly. And am heartbroken for my big-city-patchwork-of-neighborhoods community.

As I was completing the final touches on a draft description to outline my relationship to my work environment as place, wind swept embers into raging fires and upended my broader community. Los Angeles is a large city of neighborhoods, and although they can be distinct and unique, we are all still knit together and connected. The city has a long history of violent division and social disparities, but it is our differences that are also often part of the local beauty of this place. And we are united when we are all under threat.

I am not from Pacific Palisades or Altadena, but these microcommunities in my city community are still part of the interconnected body that make up the city at large. The thick chunks of ash sprinkling down on my neighborhood are pieces of someone’s home, someone’s sense of hope, someone’s sense of safety. Thankfully my rental abode retained power, and we weren’t under an evacuation order, but the pain of seeing those in your place, your city, have these things wrenched from them so quickly, and with such violent force – I cannot help but feel an ally in community. Although we are different and experiencing different things, we are together in pain for this physical environment we shared and the varied things that a place can promise us (whether real or illusioned). 

We checked on coworkers and friends; many under evacuation orders. One friend watched her son’s preschool burn down on television. How do you retain a sense of place and community when the physical representation of that history goes up in smoke? There are many parts of the United States where the scars of history are not physically represented, but represented in intergenerational trauma and invisible scars that the bearers are not always even cognizant of. Our bodies are sites of history. The archival record can also provide a sense of place when geography is decimated.

Los Angeles is my adopted home, but my ancestors aren’t from here – neither indigenous nor early colonizing migrants. As a kid I lived in a few different states, and as a mixed race person, there is no one singular place that I belong to; where my whole self will be seen and recognized. My existence is a record of 20th century American imperial military incursions. Feeling unmoored can be personally challenging, but there is also power in not being anchored to a singular idea.  I must make a future space for myself and my communities outside of the dominant historical, social/cultural boundaries of “race” and “ancestry” that American culture has defined as tools of political control and power. 

As a teaching faculty librarian, I work with a student body that the government labels as “HSI” or a Hispanic-Serving Institution, which means at least 25% of our full-time equivalent campus undergraduate student body identifies as Hispanic or Latino. We also have deep pride on campus for the work of campus leaders (students and faculty) in the late 1960s in founding some of the earliest Chicana/Chicano and Africana Studies programs in the United States.

As instructional faculty, I sit by default in a position of power. I am not Latina or Black, yet the students in my classes often are. As a perceived white-only person, I call out our archives’ historical collecting problems, the bias in the collection development process, and our on-going (and endless) work related to reparative description. I allow myself to be vulnerable, and try to center the humanity of people represented in our archives, connecting students with the idea that their own histories are valuable, and that they have the power to shape new historical narratives that go against dominant white, heteronormative, male takes on the past.

What I want to convey to students is the need to understand where we are, who has historically defined our places, and the need to unmoor ourselves from what holds us back from transformation. The need to be comfortable with the unknown and the gray areas when things are not well defined, as we search for new ways of being and knowing. At the same time, I have to be careful with my default faculty power, and make sure to allow myself to be humble about what I do not know.

In the archival field we are trained to impose order over chaos; to label everything in a uniform and recognizable fashion; to make things findable, often at the cost of individual authenticity. Both in what I do with students, and in what I do in leading our archives unit’s accessioning and processing workflows, is with the aim to create a space where it is safe to question what is established. I want students to see archives as a fluid and conflicting space to interrogate, as well as a space where there is room for their own stories. In this same way I want our Archivist team to feel supported in doing work, while also having space to question established practices. To have empathy for past archival missteps, is to also make space for us to forgive our present missteps, priming a space for reflective growth.

Our work place is safe amidst these fires. As the firefighters work to control and dampen down the blazes, we must mourn, and prepare to reshape our sense of place and our relationship to one another in this sprawling city-community. We will need to remember and reflect, while also letting go to make room for more nuanced narratives. Archives can play a role in helping us do this work, as individuals, as members of broader and continually evolving communities, and as a nation.

As I am not “from” here, I sometimes forget that Los Angeles is my place too. But these catastrophic fires are a strong reminder that this IS my place, and I am in and of community here. I am lucky to be in my physical home tonight, but my heart is aching for my community home.

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An American on Stolen Lands

Posted on August 25, 2018 | 1 comment

Back in May I started writing a bit on the complicated cultural inheritance of having a diverse ancestry as an American. There is a lot more I want to explore about this topic, so I initially had some hesitance with posting this first draft. But earlier this month I presented on a panel about being a mixed race information professional, and that was the right nudge to make me go back, revise a bit, and release this out into the blog world. I don’t have a lot of answers yet, but I think part of what this is about, is being reflective with a means toward reconciling intergenerational cultural and social inheritances with my own identity in the present.

——–

The only time I can remember feeling Japanese as a kid was the first time I read about the incarceration of Japanese Americans in internment camps in World War II. I learned that Americans who were as much as 1/16th Japanese were taken away and placed in camps. This was shocking to me. My Grandma was Japanese, so I am 1/4 Japanese. I could be put in an internment camp? I wasn’t raised with a sense of being anything other than an American, so the idea that the early 1940s American government would view me as an enemy of the state seemed completely ludicrous.

While I was growing up in the San Francisco Bay Area, many of my friends were first generation Americans. It was normal to hear my friends call their parents and speak in a multitude of languages. Going out for pho or boba was a normal high school hang activity and when we hung out at a friend’s house I was well trained to always take my shoes off. My friends clearly identified with and lived a life that was an echo of their parents’ upbringing outside of the U.S. I felt culturally lacking in light of all these parallel American experiences with strong recent cultural ties to places other than the United States. While my friends were Americans plus, I felt only culturally American. I couldn’t call my Dad and talk to him in Japanese. At home we mostly ate food that reflected an inheritance of a mid-20th century American culinary tradition of things that came prepared in boxes and were heated in boxes of the microwave or oven variety.

As a teenager my friends and I loved to take BART from the East Bay to San Francisco. Chinatown was a great place to go out for food, but Japantown felt like little more than a Japan themed shopping center. The only Japanese kid I knew was a child of recent immigrants like the rest of my friends. My Japanese Grandma Machiko passed away in 1994, when I was still in the single digits age range. Even when she was alive we lived far apart. My limited memories of her are only fragments and I often wonder if these are constructed from stories told to me. Not only does my Japanese identity feel false, but so too does my shaky connection to my heritage.

I was given little nudges to be interested in my Japanese background. I had a book about Japan, but none of it resonated with me and it remained a remote curiosity. I might as well have read a book about the Philippines. A couple times my Grandma’s sister and a few cousins came out to visit us in California. They brought gifts, including origami paper. It was a cultural symbol, but I couldn’t connect on an intimate level with little squares of beautifully patterned, colorful paper. I had little squares of Japanese culture, but these were pieces of a mostly impersonal version of the very personally resonating concept of culture.

Sure, I’m Japanese by blood and descent, but how can I be Japanese without the culture?

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There’s no doubt that part of my interest in genealogy is due to an early exposure to rich and diverse cultures. I didn’t grow up where either of my parents grew up, and I had friends with such strong traditions and identities. It made me wonder what the pieces were of my own heritage, when I didn’t fit into any of the frames of reference I saw with my friends.

In addition to being Japanese, I also have a strong 1/4 thread of Eastern European from my other Grandma. I can’t say that I feel particularly allied with that history either, but at least I have living relatives in other states that can easily answer questions about our family. I’ve eaten a poticia and know about Polish Easter breakfast. I’ve heard stories about my Catholic great grandpa carrying around rosary beads and shifting his observed birthday to the birthday of the saint he shared his name with. That left only the other half of my identity, a grab bag of Western European heritage, as a mystery.

Thankfully I had a head start on the third quarter of my heritage, as my European-American Grandpa got really into genealogy in the 1970s and plotted out an impressive array of British, German, and French ancestors. That left my final mystery quarter from the other side of my family as a detective case for me to tackle. It turns out that I have pretty deep roots in early Tennessee. Learning that I descend from those who owned other humans in Tennessee, and earlier in Virginia and North Carolina, was shocking. I had always assumed that my southern rooted family was financially broke and not morally broken. Yet, the Holts of Tennessee, and the families that married into the Holts, enslaved humans over several generations.

I can’t immediately perceive anything about my life and culture that has come down to me through this heritage. What am I suppose to do to reconcile this legacy guilt? How can I make reparations in the present for being a descendant of a culture that I find repulsive and have no desire to connect with? As much as I long to connect with being Japanese, I also want to distance myself from the horrors perpetrated by my Tennessee ancestors. Yet I feel a guilty desire to know more, to try to understand – who were these people and why were they complicit in this system? In what ways have I been quietly shaped by this hushed inheritance? And can being loud about it be productive?

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I moved to Los Angeles ten years ago, and living in Los Angeles led me to feel a renewed pull and interest in any latent Japanese-ness through meeting others who were also partials. I’ve also met several descendants of those that were interned by the United States government in World War II, simply for having Japanese ancestry. I’ve been asked several times about my own family’s internment experience, which always gives me a sense of mild embarrassment. No, no, my ancestors actually were the enemy, as they were still in Japan during WWII. Then that moment of connection with other Japanese descendants becomes a little tarnished. Do we really have a shared history and heritage?

There’s an initial disarming comfort about meeting Japanese-Americans with deep Los Angeles roots, but ultimately Japanese-American history in Los Angeles does not feel like my history. My Grandma was the only one from her family to immigrate to the U.S. and she didn’t really settle down here until the early 1960s. Here wasn’t even the West Coast – she spent the rest of her post-Japan life in suburban Cincinnati, Ohio.

The only place I’ve really “seen” my Grandma is in the documentary Fall Seven Times, Get Up Eight. The documentarians seek to bring out the stories of Japanese war brides who “disappeared into America.” The idea of disappearing into America hurts my heart and is maybe part of my motivation to find a way to be more Japanese-American in my own way. This documentary also reaffirms my belief in the importance of being able to see yourself in stories about what it is to be a human. Seeing yourself or your ancestry depicted in the media and in archives is an affirmation of legitimacy.

At the same time, there can be a very fine line between appropriation and cultural pride. Can I be an appropriator of my own culture? Reclaiming ancestral culture that’s been stripped or watered down, without feeling that it is performative – can this be done?

——–

Somehow it feels far easier to claim a heritage that is an assault against humanity. It is strangely somehow easier to feel guilt above other emotions when it comes to cultural background. I can claim the enslaving ancestors because I have no pride in it. From this inheritance I only have my privilege of mostly being perceived as white, made doubly guilty by society’s denial of my Asian-ness. I am a descendant of enslavers, and it is dirty, I have shame, but it is my inherited shame. Yet I don’t feel ownership over my Japanese-ness. Why is this?

Killing or dispossessing another human of their freedom is a pretty timelessly evil thing to do. Some try to absolve past crimes through the historical context argument – weren’t Franklin D. Roosevelt, Andrew Jackson, and Thomas Jefferson “great men”? Yet there were also plenty of contemporaries to these so-called “great men” that saw the human destruction through the layer of societal complacency.

I carry this legacy guilt with me and I can’t travel back in time to change the past. Being cognizant of the damage my ancestors caused, and being thoughtful when framing their actions is a step one. There is no absolution or glorification of their actions and choices. Their purported kindness or generosity to those they enslaved does not change the fact that they were part of a system that held people captive and stole their lives. Being careful to refer to those they enslaved as humans that were enslaved, rather than “slaves,” is a minor language item that restores a modicum of dignity to those they gravely wronged. I grew up taking history classes that referred to people as “slaves.” In adulthood, I learned to start using the term enslaved instead, and it is pretty incredible how much a terminology shift can be a humanity restoring mind flip.

———

I’ve often felt like my body and culture are held hostage by the judgment of outside forces. When I think about the heritage/identity boxes I can place myself in, maybe the answer is that I really am none of the above. That maybe there was some lesson in the frustration I felt every time I had to fill out a form that required me to be “other,” or forced me to choose to ally myself with only one part of my identity. That I have to create something new that is fused from parts both known and acknowledged; unknown and to be explored. The little tendrils drilled down into DNA and words that I hadn’t even realized existed, coupled with the grooved paths I have to create on my own through repetition.

Walk this new path, walk this new path, walk this new path. And one day there will be no more grass on that ground. No more walking through overgrown weeds. It will exist as path alone.

This is the challenge and inheritance of being an American on stolen lands.

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Alive.

Posted on January 13, 2018 | 1 comment

It’s been awhile since I’ve written anything here. As the days and months ticked by, all that time gone by seemed to pile up into some mountain that looked impossible to climb. The further out from spring 2016 I got, the more difficult the thought of writing became. Part of this distance between easy peasy, chill blogging for fun, and OMG how am I going to write anything coherent, was a very challenging year from late 2016 through most of 2017.

In January 2015 I went back to school again, but continued to work full time. At first it was easy enough to keep up and maintain some sort of normalcy, but as I finished all the intro courses and began to delve into more complex topics (JavaScript almost killed me), keeping up with school on nights and weekends got tougher. In addition to that, I was busy spending my days preparing to move a three story library with no elevator to a new facility.

The move project was yet another temporary job at a workplace I loved. Over the seven years I worked there, having a somewhat annual panic about whether I’d have another project there the next year was a sort of anxious, yet normal state of being. About once a year I’d worry I wouldn’t have another project, but then something would pull through, always with the hope that eventually it would be a permanent gig. Things finally looked promising when a proposed permanent position made it into the budget and survived a few rounds of budget trimming. Alas, in December 2016 I found out that the job didn’t make it through the last brutal budget cut. Not only would I not have a permanent position, but the funds were finally drying up in the temp project fund too.

I had a little temp project cushion to find another job, but that meant that by Spring 2017 I was working full time, doing three graduate school classes (one being my final portfolio project), and applying to and interviewing for potential new jobs. Losing a workplace I loved, coupled with the stress and now very pressing need to finish my library science masters ASAP, along with job applications and interviews (and the very real possibility of having to move away from my beloved Los Angeles) – it all really did a number on me. I graduated. I got another job. I’m still in LA. But honestly I needed the second half of 2017 to remember who I am outside of work and school. I think this is complicated by the fact that what I do for a living is part of who I am off the clock too. What do I do for fun that isn’t work related?

I’ve been compiling a growing list of things I want to write about, but instead of writing about any of these topics, I continue to add to this list. I’m pretty jazzed about a lot of the subjects, but I think it’s been my way of avoiding returning to this blog. There isn’t enough research done yet. I have to outline things. I need to take time and do fresh genealogy research. I think I like plants now? But do I want to write about plants? And other thoughts – like, do my friends still want to spend time with me after I neglected them for two years?

So this is a sort of whiny, weaksauce post that does more for me therapeudically, than it contributes to some greater internet knowledge base. At least it’s a post. I’ve broken through the blog writer’s block. I’m here, I’m alive, I’m ok, and getting more ok by the day.

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How Not to Write An Obituary.

Posted on April 29, 2016 | 2 comments

I use to read the obituaries every week in the Sunday Los Angeles Times. I’d look for the oldest person to die and then read their obit for inspiration. Where did they come from? What did they do with all that time they had? And, there was also a tinier voice asking, “How do I get to where they were? How can I absorb so much of life too?”

Then there were always the sad obits. They were of people of my own age, my parents’ ages, friends’ ages. There were the little annual memorials to kids lost far too early; reminders that the memory of them continued to age, though they did not. It was these obits that started to bring me down. I started to identify a little too closely to some stories, some timeframes. In the older obits any form of identification was a bonus, but with these young departed it was too real a reminder of what obituaries signify: someone has left the building.

2016 has been a rough year for death, and particularly for music fans, as several well-known and loved lumnaries of the profession have passed on. On Thursday I found out that my Great Uncle Jerry moved on. He’d been sick for years, in a slow, slow decline that gradually robbed him of the ability to do many of the things the able-bodied take for granted. He wasn’t a musician, but I did learn very recently that he enjoyed photography.

It was almost a funny thing to learn that he liked photography. I knew he worked as a truck driver for years, as he’d tell stories from the road. In all non-obit-like honesty, Jerry presented himself as a tough trucker guy from rural Oklahoma. He’d sit around the house, smoking away, and puffing out homophobic, sexist, and racist things in a loud voice (when he still had a volume dial to turn up on his vocal cords). I never knew anything about him acting on any of his words, but the words were still tough to hear sometimes.

Is this speaking ill of the dead? It is at least speaking truth. I don’t aim to rob him of his humanity by glossing over the way that he presented himself. At the same time I don’t aim to portray him negatively either. I don’t aim to portray him in any other way than the very way he portrayed himself.

I think where this becomes complicated, is that the public presentation of self is often conflated with things that reside outside the self, or roles we are trying to play in society. Depending on the person it can be easy to be consumed by the reflection you’d like to see, rather than drawing on an internal well. It’s tough.

I think there are lovely things about Jerry that I never knew. There was something in him that my Great Aunt saw, and I adore her. He had a good wit, though it was often misdirected to social baggage better left behind in the 20th century. I don’t know enough about where he grew up and what formed him in his early years. I want to know more, I want to better understand.

In the meantime I will remember Jerry. I can’t bring myself to honor the dead by distorting the past, but I can respect the context in which people lived, and strive to better understand all angles of humanity. And sometimes I still sneak a peek at the obits page, and sometimes there is still beauty and inspiration in death.

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That time I had a hometown.

Posted on August 11, 2015 | Leave a comment

Stuff cool nerd kids liked in the early 2000s./Corner of my high school bedroom.

Stuff cool nerd kids liked in the early 2000s./Corner of my high school bedroom.

Sometimes there is sadness embedded in a present place. It’s too rooted in the sweeping movements of the second hand and no longer able to be the thing it was many pages of the calendar ago.

I grew up in a 1960s suburban ranch style house in the East Bay in Northern California. The house still sits on the same suburban street, but it’s now a much more expensive neighborhood with houses priced only for the very affluent tech workers of Silicon Valley.

It had a driveway, a decent sized front yard and a big backyard with a lemon tree and an orange tree. There was also a jungle of ivy along the side of the house and a lollipop tree. My parents were never very fond of the landlord, who delivered rent increase notices at Christmas, but to me he was just a slightly scary older person who left suckers in the lollipop tree on occasion. One time when he backed out of the driveway he took out the last bush in a row of front yard shrubbery. The little plant stuck to the back bumper of his car and bobbed along in the breeze as he drove away.

The things I remember about living there are very rooted in the physical space. We’d always tell newcomers to look for the house with the “bright green trim.” The bulk of the house was painted an off white color, but the almost neon green paint that framed the house really made it stick out. (Clearly no HOA forcing bland paint colors on the neighborhood.)

When we first moved in the carpet was a brown, ancient almost shag carpet. The kitchen countertops were a chipped mint laminate. In the decade plus of living there the landlord did eventually replace the counters and carpet, but he hired cheap day labor and orchestrated most of the “improvements” himself. Nothing ever quite lined up right.

Nothing quite lining up is also an accurate descriptor of my feelings about my childhood home. My parents always had some resentment toward me considering this my childhood home, but it was. Most of my growing up memories center on the place.

My departure from the Bay Area as an adult-in-training was shortly followed by my parents’ exodus from the place. I use to always make a pilgrimage to the house when I would go back to the Bay to visit friends. Strangers rented it by then, but my mind erased the foreign cars in the driveway and imagined summer nights running through the front yard grass (getting eaten by mosquitos) or days drawing chalk roads and traffic signs on the sidewalk.

My weirdo drive-by visits to my childhood home made sense the first couple years. I’d drive by and little things would change. The neon-y green trim color was toned down. The plants in front of the house were altered. More strange cars parked in the driveway. But still, this is the filter I saw the world through for so many years as a child. This was home, this was a place that made sense. Or at least I fought for it to make sense in my head.

I stopped driving by my childhood home a few years ago. I started realizing that I was assigning some sort of false sense of security and identity to a place that no longer existed. I even feel off telling people I’m from the East Bay. My childhood was there, but beyond that my family historically only dipped their toes in California. We aren’t Californians, though I am a Californian. It’s such a weird disconnect to have in the relationship between people and place; between family and individual identity.

In driving past the old rental house I was trying to have some sense of belonging or roots in a hometown of some sort. In the early years of leaving home that worked to some extent, but now I see the construct I built for myself and the functional role it filled. It did its job and then it retired. It always was someone else’s home in truth, but now it’s also someone else’s home in fiction too.

The place lost its meaning, and with it I’ve had to let go. It use to make me sad, but now I focus more on the bright points of child memory over jarring adult reality. It was there for all the doll soap operas and school lessons, the fake perfume making sessions, and the backyard burritos assembled from fallen lollipop tree leaves and blossoms. I’ll always have the memories of sunny days of running through the sprinkler, roller blading around the concrete slab patio, or having elaborately themed birthday parties. I don’t need a physical touchstone to remind me of these things – all these good things filtered out of the more expansive memory pool.

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Momday

Posted on May 10, 2015 | Leave a comment

Always thirsty - for knowledge, for beverages.

Always thirsty for knowledge.

From an early age my Mom instilled in me the idea that “haters gonna hate.” In grade school she put a little laminated clipping in my lunchbox with a picture of Albert Einstein and his quote, “Great spirits have always encountered violent opposition from mediocre minds.” Kids can be really mean to each other, but my Mom made sure I had perspective and understood that things other people say about you or to you explain a lot more about them than you. I think this is one of the most valuable things my Mom taught me. That it’s ok to be your weird self. That being quirky and creative is a value, even if others react to it negatively.

Now I surround myself with a bunch of openminded wonderful people or “great spirits” and mostly only encounter mediocre mind attitudes on the internet. There’s a lot of ugly out there in the world, and I don’t ignore it, but I feel like you need to be secure in yourself first. Like the airplane safety instructions that tell you, “You must secure your own oxygen mask before trying to help someone else.” Then it’s easier to have compassion and perspective because your own negative feelings aren’t getting tangled up in your reactions. Often easier said than done, but not impossible.

One lesson of many, thanks Mom!

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How I Learned to Stop Worrying and Love the MLIS

Posted on May 9, 2015 | Leave a comment

The future is a way harder concept to grasp than the past. At the former Acres of Books in Long Beach, 2008

The future is a way harder concept to grasp than the past. Acres of Books in Long Beach, 2008 (RIP)

I started out the Master in Library and Information Science program super-enthusiastic (new program syndrome), but quickly realized that taking multiple classes and working full time was a recipe for a time crunch. I made space for things here and there – the occasional outing and wedding things. Overall it’s been an endurance test, but now that I’m closing out on my first (successful) semester I’m feeling a little more confident about time management and sanity. I can do this!

I definitely had a breaking point about midway through and turned into a hermit with a lot of repressed stress that I think I pretty successfully hid from everyone around me, aside from the occasional whiny sorry excuse for why I couldn’t go to happy hour or couldn’t go on a hike or couldn’t [insert activity here]. I’ve gotta remember that this is a marathon, and not a sprint. That would probably be my #1 advice for anyone starting an online graduate program while also working full time.

#2 is don’t feel guilty if you need to go home from work and watch five episodes of Daredevil while having popcorn and beer for dinner. Because those nights are an important counterbalance to those ridiculous days where you have a bunch of meetings at work, projects to jam through, and then you have to come home and search databases, read articles, and produce some sort of writing piece that doesn’t sound like gibberish.

History is my true love. I came to it via writing (the two are practically conjoined twins sometimes), and I will always love history the bestest. Library science is a more practical skill set. It has its mumbojumbo like any discipline, but it is the tool that delivers my love. The pizza delivery guy that brings the Pacific Veggie (which BTW is great fuel for writing a 28 page research paper in one weekend).

As a special collections library person I can work on saving the past, which is cheesy but true. Just call me indoor Indiana Jones. (“It belongs in a museum!” or: “I belong in a museum!”) Now if I could just get better at embracing the present and not stressing about the future I’d be all set.

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The One Where I Go to a Wedding

Posted on May 5, 2015 | Leave a comment

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I don’t know if I’m creating connections that don’t exist, but I feel like Mad Men made a sly Game of Thrones reference last week. When Pete Campbell’s kid got rejected from an elite preschool, the guy doing the rejecting said the MacDonald clan he hails from would never let a Campbell kid into their school because of an old feud. Well, that feud (according to Wikipedia, which is of course the end all be all of knowledge these days) reportedly was one of the inspirations for George R.R. Martin’s Game of Thrones red wedding scene. Apparently in 1692 Clan MacDonald told Clan Campbell: come on over and hang! And then the Campbells became the worst houseguests ever and slaughered 38 members of the MacDonald clan.

Coincidence? Conspiracy theory? Hommage from one great show to another? I was in one of my closest friend’s wedding the other week, so maybe I just have wedding on the brain.

It rained during my friend’s wedding ceremony, even though it was in Southern California and we’re suffering through a massive water shortage. Their love conquered drought, and even more significantly (from my incredibly cynical perspective) their love conquered all cheesy, cringe-inducing wedding cliches. It was incredibly heart felt, moving, and lovely. The rain drops that fell down onto the wedding party were definitely camouflaging some serious eye watering action.

My friend jetted off to Costa Rica with her new legal beau, and I slogged back to Los Angeles to start poking at an end of semester paper for the first semester of my second go-round at grad school. Now that the wedding’s over and I turned in 28 pages last Sunday I’ve been feeling a little listless. There are still a few loose ends to tie up in school and I have several trips on the horizon that should turn into some new Roadside posts (and work is hoppin’ as usual). Though I’m feeling really bad that my Arkansas trip is stopping me from going to another friend’s wedding in Vegas.

Before the flutter of near-future travel I’ve been turning my attention back to traveling through my closet. I’ve been hitting the black eyeliner hard lately – Mad Men’s return has me all retro-lovin’. I went to my favorite guilty-pleasure-purchase-place (Playclothes, what, what) and got a Joan dress. Time to go threaten someone with an ACLU/Newsweek/Ladies’ Home Journal lawsuit!

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Peanut Butter and Romanticizing the Past

Posted on March 21, 2015 | Leave a comment

The beverages I drink don’t usually have words like “win,” “athletic,” and “epic” wrapped around the bottle. Thanks to a stomach bug I’ve been on the crackers and Gatorade diet for the better part of this week, drinking epic athletic liquid with artificially colored win.

I graduated to crackers + peanut butter on Friday and that was pretty exciting. Eating peanut butter spread on crackers always makes me think of one of my favorite people-from-the-past-I’ve-never-met-but-like-to-romanticize.

I have a soft spot for writers. My undergrad and grad school theses were both on 1930s film fan magazines. While I spent a lot of pages analyzing the contemporary context, consumerism, and content, I also spent a decent chunk of time looking at the writers and editors of the publications.

Some of the writers had prolific enough careers that they also wrote for other publications, leaving a big trail of evidence behind them. Others are a little trickier to track, though Anthony Slide’s Inside the Hollywood Fan Magazine does a really fabulous job of profiling many of the writers that are tougher to track elsewhere. When I was writing my undergrad thesis I took a lot of information from an issue of Picture Play, which had a great two part feature on contributing writers written by Samuel Richard Mook in the February and March 1930 issues.

I would definitely want to do some fact checking before taking anything in the article as fact, but there’s always that non-factual value  – the mood and message that it conveys. One of the anecdotes that’s always stuck with me is about Myrtle Gebhart. Early in her career before writing for fan magazines, she bounced from one writing job to another and worked addressing envelopes at a rate of three dollars for every thousand. According to Mook, her diet at that point “consisted chiefly of peanut butter bought in bulk and spread thinly on crackers.”

So now every time I have peanut butter spread on crackers I think of Myrtle Gebhart, this writer I have very little knowledge of and have definitely never met (she died in 1958 according to Slide). But I have a soft spot for Gebhart and her Mook portrait. As he notes, “there is something splendid about a girl who has been through the mill as Myrtle has.”

In my thesis I got all analytical historian up in the article about the portrayal of women and the rags to riches angle, but that and fact checking aside, there is just something completely enchanting about these little writer portraits in Picture Play.

Mook himself is author of one of my all time favorite quotes: “I prefer dives to palaces, as I feel that in dives you see life, and in palaces you look on an artificial glitter.” True that.

Today I think I can finally eat real food again (hooray), but the brightside to my downside week was the thought of Myrtle and me eating our peanut butter crackers, decades apart but together in spirit.

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Three year anniversary.

Posted on November 16, 2014 | Leave a comment

This is the three year anniversary for me and my current apartment.  It’s the longest I’ve lived in the same place as an adult.

Part of me wonders if I should be disappointed that my old wanderlust was replaced by moving and shaking of a career variety instead of a new-city-new-neighborhood variety.

But everytime I ask that question I say no.  I like who I am and where I am and I feel like what I’m doing is worthwhile.

Everytime I help researchers find what they need, whether they are 10 or 65, I know I’m in the right place.

Yesterday I helped middle school aged kids locate online resources for their National History Day projects.  One student was researching a mid-20th century TV program’s impact.  She was incredibly articulate about her subject, though her mother said multiple times that they picked a “light” topic this year; as if there was some unspoken need to excuse the choice of a pop culture topic.

She didn’t need to excuse her students’ project, especially to me.  Everything is important.  Everything has meaning and value.  It’s all connected in the domino run that is life.

When I first moved to Los Angeles I went to AAA and asked them for all their Los Angeles maps.  I cut them up so the maps fit against one another where one ended and the other began.  I wanted to master the roads and freeways – as a child of the suburbs I was programmed early on to view places through windshield glass.

I don’t have any LA maps on the wall anymore.  There’s still uncharted territory in my mental map of the city, but this is home.

I’ve found my corner.  I feel a mix of delight and disgust that I’ve settled into my routine and that I like it.  I am right where I am suppose to be – at least in this very moment.

The sublet room I lived in when I first moved to Los Angeles. Full of someone else's furniture and not very well decorated, but what was important made it on the wall.

The sublet room I lived in when I first moved to Los Angeles as a 21 year old. A tiny box of a room right off the living room.  It was full of someone else’s furniture and not very well decorated, but what was important made it on the wall.

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